artificial

A magnificent peach was hanging against an adjoining wall, ripened by the same artificial heat.

28 was situated at the extremity of the village; during the drive night had set in, and darkness gave the surroundings the artificial appearance of a scene on the stage.

About two o’clock the following day a calash, drawn by a pair of magnificent English horses, stopped at the door of Monte Cristo and a person, dressed in a blue coat, with buttons of a similar color, a white waistcoat, over which was displayed a massive gold chain, brown trousers, and a quantity of black hair descending so low over his eyebrows as to leave it doubtful whether it were not artificial so little did its jetty glossiness assimilate with the deep wrinkles stamped on his features—a person, in a word, who, although evidently past fifty, desired to be taken for not more than forty, bent forwards from the carriage door, on the panels of which were emblazoned the armorial bearings of a baron, and directed his groom to inquire at the porter’s lodge whether the Count of Monte Cristo resided there, and if he were within.

And yet it was not because the damp had been excluded from the garden; the earth, black as soot, the thick foliage of the trees betrayed its presence; besides, had natural humidity been wanting, it could have been immediately supplied by artificial means, thanks to a tank of water, sunk in one of the corners of the garden, and upon which were stationed a frog and a toad, who, from antipathy, no doubt, always remained on the two opposite sides of the basin.