No one would have thought in looking at this old, weather-beaten, floral-decked tower (which might be likened to an elderly dame dressed up to receive her grandchildren at a birthday feast) that it would have been capable of telling strange things, if,—in addition to the menacing ears which the proverb says all walls are provided with,—it had also a voice.
The garden was crossed by a path of red gravel, edged by a border of thick box, of many years’ growth, and of a tone and color that would have delighted the heart of Delacroix, our modern Rubens. This path was formed in the shape of the figure of 8, thus, in its windings, making a walk of sixty feet in a garden of only twenty.
Never had Flora, the fresh and smiling goddess of gardeners, been honored with a purer or more scrupulous worship than that which was paid to her in this little enclosure. In fact, of the twenty rose-trees which formed the parterre, not one bore the mark of the slug, nor were there evidences anywhere of the clustering aphis which is so destructive to plants growing in a damp soil. And yet it was not because the damp had been excluded from the garden; the earth, black as soot, the thick foliage of the trees betrayed its presence; besides, had natural humidity been wanting, it could have been immediately supplied by artificial means, thanks to a tank of water, sunk in one of the corners of the garden, and upon which were stationed a frog and a toad, who, from antipathy, no doubt, always remained on the two opposite sides of the basin. There was not a blade of grass to be seen in the paths, or a weed in the flower-beds; no fine lady ever trained and watered her geraniums, her cacti, and her rhododendrons, in her porcelain jardinière with more pains than this hitherto unseen gardener bestowed upon his little enclosure.