readers

Sebastian, encamped round a master whom our readers must have recognized as the famous Luigi Vampa.

Most of my readers are aware that the second act of Parisina opens with the celebrated and effective duet in which Parisina, while sleeping, betrays to Azzo the secret of her love for Ugo.

Then he detailed the conversation overheard by him at the Colosseum, between the count and Vampa, in which the count had promised to obtain the release of the bandit Peppino,—an engagement which, as our readers are aware, he most faithfully fulfilled.

It was the letter written (as our readers know) to Julie, and signed “Sinbad the Sailor.”