prisoner

The prisoner whom you there see pale, agitated, and alarmed, instead of—as is the case when a curtain falls on a tragedy—going home to sup peacefully with his family, and then retiring to rest, that he may recommence his mimic woes on the morrow,—is removed from your sight merely to be reconducted to his prison and delivered up to the executioner.

Suppose, for instance, the prisoner, as is more than probable, to have served under Napoleon—well, can you expect for an instant, that one accustomed, at the word of his commander, to rush fearlessly on the very bayonets of his foe, will scruple more to drive a stiletto into the heart of one he knows to be his personal enemy, than to slaughter his fellow-creatures, merely because bidden to do so by one he is bound to obey?

The prisoner himself is named Edmond Dantès, mate on board the three-master the Pharaon, trading in cotton with Alexandria and Smyrna, and belonging to Morrel & Son, of Marseilles.”

The antechamber was full of police agents and gendarmes, in the midst of whom, carefully watched, but calm and smiling, stood the prisoner.