dandy

He had changed little, was dressed like a young man of fashion—he was always a bit of a dandy—and preserved the same quiet, suave manner which had formerly distinguished him.

Thus he came along, supporting himself on a curiously carved stick, his aged countenance lit up with happiness, looking for all the world like one of the aged dandies of 1796, parading the newly opened gardens of the Luxembourg and Tuileries.

Above this floor was a large atelier, which had been increased in size by pulling down the partitions—a pandemonium, in which the artist and the dandy strove for pre-eminence.

There were collected and piled up all Albert’s successive caprices, hunting-horns, bass-viols, flutes—a whole orchestra, for Albert had had not a taste but a fancy for music; easels, palettes, brushes, pencils—for music had been succeeded by painting; foils, boxing-gloves, broadswords, and single-sticks—for, following the example of the fashionable young men of the time, Albert de Morcerf cultivated, with far more perseverance than music and drawing, the three arts that complete a dandy’s education, i.e., fencing, boxing, and single-stick; and it was here that he received Grisier, Cooks, and Charles Leboucher.