“That was an oversight, certainly,” replied the count; “but tell me, does the Count of Morcerf never visit the Opera? I have been looking for him, but without success.”
“He will be here tonight.”
“In what part of the house?”
“In the baroness’s box, I believe.”
“That charming young woman with her is her daughter?”
“Yes.”
“I congratulate you.”
Morcerf smiled.
“We will discuss that subject at length some future time,” said he. “But what do you think of the music?”
“What music?”
“Why, the music you have been listening to.”
“Oh, it is well enough as the production of a human composer, sung by featherless bipeds, to quote the late Diogenes.”
“From which it would seem, my dear count, that you can at pleasure enjoy the seraphic strains that proceed from the seven choirs of paradise?”
“You are right, in some degree; when I wish to listen to sounds more exquisitely attuned to melody than mortal ear ever yet listened to, I go to sleep.”
“Then sleep here, my dear count. The conditions are favorable; what else was opera invented for?”
“No, thank you. Your orchestra is too noisy. To sleep after the manner I speak of, absolute calm and silence are necessary, and then a certain preparation——”
“I know—the famous hashish!”
“Precisely. So, my dear viscount, whenever you wish to be regaled with music come and sup with me.”
“I have already enjoyed that treat when breakfasting with you,” said Morcerf.
“Do you mean at Rome?”
“I do.”