“So,” added Madame de Villefort, constantly returning to her object, “the poisons of the Borgias, the Medicis, the Renées, the Ruggieris, and later, probably, that of Baron de Trenck, whose story has been so misused by modern drama and romance——”
“Were objects of art, madame, and nothing more,” replied the count. “Do you suppose that the real savant addresses himself stupidly to the mere individual? By no means. Science loves eccentricities, leaps and bounds, trials of strength, fancies, if I may be allowed so to term them. Thus, for instance, the excellent Abbé Adelmonte, of whom I spoke just now, made in this way some marvellous experiments.”
“Really?”