“Pooh, pooh;” said the doctor, with the impiety usual in persons of his profession; “he is a churchman. God will respect his profession, and not give the devil the wicked delight of sending him a priest.” A shout of laughter followed this brutal jest. Meanwhile the operation of putting the body in the sack was going on.
“This evening,” said the governor, when the task was ended.
“At what hour?” inquired a turnkey.
“Why, about ten or eleven o’clock.”
“Shall we watch by the corpse?”
“Of what use would it be? Shut the dungeon as if he were alive—that is all.”
Then the steps retreated, and the voices died away in the distance; the noise of the door, with its creaking hinges and bolts ceased, and a silence more sombre than that of solitude ensued,—the silence of death, which was all-pervasive, and struck its icy chill to the very soul of Dantès.
Then he raised the flag-stone cautiously with his head, and looked carefully around the chamber. It was empty, and Dantès emerged from the tunnel.
Chapter 20. The Cemetery of the Château d’If
On the bed, at full length, and faintly illuminated by the pale light that came from the window, lay a sack of canvas, and under its rude folds was stretched a long and stiffened form; it was Faria’s last winding-sheet,—a winding-sheet which, as the turnkey said, cost so little. Everything was in readiness. A barrier had been placed between Dantès and his old friend. No longer could Edmond look into those wide-open eyes which had seemed to be penetrating the mysteries of death; no longer could he clasp the hand which had done so much to make his existence blessed. Faria, the beneficent and cheerful companion, with whom he was accustomed to live so intimately, no longer breathed. He seated himself on the edge of that terrible bed, and fell into melancholy and gloomy reverie.