“Go!—do you hear?” said Villefort, while d’Avrigny advanced to lead Morrel out. Maximilian stared for a moment at the corpse, gazed all around the room, then upon the two men; he opened his mouth to speak, but finding it impossible to give utterance to the innumerable ideas that occupied his brain, he went out, thrusting his hands through his hair in such a manner that Villefort and d’Avrigny, for a moment diverted from the engrossing topic, exchanged glances, which seemed to say,—“He is mad!”
But in less than five minutes the staircase groaned beneath an extraordinary weight. Morrel was seen carrying, with superhuman strength, the armchair containing Noirtier upstairs. When he reached the landing he placed the armchair on the floor and rapidly rolled it into Valentine’s room. This could only have been accomplished by means of unnatural strength supplied by powerful excitement. But the most fearful spectacle was Noirtier being pushed towards the bed, his face expressing all his meaning, and his eyes supplying the want of every other faculty. That pale face and flaming glance appeared to Villefort like a frightful apparition. Each time he had been brought into contact with his father, something terrible had happened.
“See what they have done!” cried Morrel, with one hand leaning on the back of the chair, and the other extended towards Valentine. “See, my father, see!”
Villefort drew back and looked with astonishment on the young man, who, almost a stranger to him, called Noirtier his father. At this moment the whole soul of the old man seemed centred in his eyes which became bloodshot; the veins of the throat swelled; his cheeks and temples became purple, as though he was struck with epilepsy; nothing was wanting to complete this but the utterance of a cry. And the cry issued from his pores, if we may thus speak—a cry frightful in its silence. D’Avrigny rushed towards the old man and made him inhale a powerful restorative.